Sound Synthesis & SFX

FM Synth with Convolution

max patch

 

General Description

FM Synth is a FM additive synth with quasi convolution. It was designed to produce drones that remind of “abandoned space station”. It has only one voice but 20 unison voices.

FM engine

Each unison voice represents a FM synthesis engine. FM engine has two modes: Modulator Amplitude mode – where one has the option to control the amplitude of modulators, or Modulation Index mode – where one has the option to control the modulation index I=d/Fm; where d stands for frequency deviation and Fm for modulator’s frequency.

The selection between the two modes can be done in the right bottom corner under the section Modulation Options (the smallest multislider in the interface). Only one mode per unision voice can be selected.

Noise part

Noise Amplitude multislider is not part of the FM engine. It is a white noise filtered by the resonant filters. The frequencies of the filter peaks can be determined by either FM carriers or FM modulators. There is also a frequency multiply factor, so that filter frequencies might be an integer or float multiples of carriers or modulators frequencies.

Convolution

Wet signal represents the signal that goes through reverb and the process of convolution (if turned on). The main Additive FM signal can be convolved with a sample, saw wave, square wave or another FM wave. From a puristic technical perspective, the convolution in question is not real by the book convolution, since only amplitude part of FFT spectrum is being multiplied.

All the rest…

Modulation and Carrier Frequency multisliders represents the factors by which the pressed note is multiplied. The factor can be either float or an integer. There is an aliasing option as well for the real adventurists!

Linedrive represents the fluctuation in volume and panning position for each voice. Linedrive Bang Interval represents the time in which new volume and panning destination is set. On the other hand Linedrive Time represents the time needed for a transition from previous to the next value.

  1. Alex Bailey
    Alex Bailey09-18-2017

    Hey there,

    First off, I’d like to say how much I admire your work – you have created some spectacular tools for sound design and musical composition using Max, and the fact that they are available for download is incredible…

    I do have a question about the FM synth – whenever I use an audio sample to convolute the FM synthesis, I get continuous, quite violent clipping/popping sounds etc. Is there something I’m missing? I have experimented with the ADSR parameters but it doesn’t sem to make a difference. If I turn the convolution off, then the clipping disappears – it’s only when the loaded sample is audible that the clipping/popping occurs.

    Any advice would be much appreciated!

    Kindest wishes,

    Alex

  2. Tadej Droljc
    Tadej Droljc09-25-2017

    Many thanks for your feedback Alex!

    The FM synth was made with Max/MSP 5 so it could be that the popping sounds appear due to incompatibility with later versions. Try running it in Max 5 and see if it removes the problem. Also what you could try is changing the signal vector size in audio settings so it matches the FFT window size (you will find the size inside the “FFT” object where the core of convolution is taking place). In addition to that try also turning on audio interrupt also in audio settings.

Leave a Reply